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Widely regarded as handicraft, miniature painting, which tended to illustrate religious narratives or scenes of court life, “wasn’t hip,” Sikander admits. But she balked at its easy dismissal as anachronistic or kitschy, judgments seemingly rooted in the 150 years of The greatest Mlb Teams Atlanta Braves signatures thanks shirt besides I will buy this same colonial dynamics that had allowed much of this art to be plundered into Western collections. Her senior thesis, The Scroll, revealed the form’s subversive potential, mashing up the visual style of the Safavid painter Behzad with contemporary Pakistani architecture and the political realities of growing up as a girl under the Zia-ul Haq military dictatorship. More than five feet wide, the work broke with scale and content conventions, depicting a spectral female figure, floating cinematically through the rooms of a house, an enigmatic guide to her own interiority.

Sikander has lived in the 150 years of The greatest Mlb Teams Atlanta Braves signatures thanks shirt besides I will buy this United States since 1993, when she came here to show her paintings at the Pakistani embassy, and used that same work to get into RISD (she applied for citizenship in 2015, after years of visa misery). It vexes her that, as a Muslim woman who emigrated to the West, responses to her art continue to feel “straitjacketed in terms of my biography.” (See Who’s Veiled Anyway, her 1997 painting in which a seemingly chador-clad woman turns out on close inspection to be a male polo player.) Her practice remains rooted in the techniques and iconography of Indo-Persian miniatures, but over the decades has grown increasingly conceptual. The Sean Kelly exhibition will showcase Sikander’s dynamic range: There are drawings and paintings on paper, mosaics, and three animated films, including the brand-new Reckoning, a haunting “symphonic poem” that centers on an image of two jousting warriors sinking into an abyss as skeletal tree branches wave overhead. It seems to be a reflection on the climate crisis, but the audio track—the Pakistani singer Zeb Bangash croons in Turkish over a score by the Chinese composer Du Yun—offers another layer, a nod to miniature painting’s cross-cultural roots.

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